Sports Car Racing in Camera 1980–89

£50.00

Paul Parker

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Description

‘generously reproduced images with richly detailed captions’

Classic & Sports Car

 

‘a photographic essay that follows its subject around the globe, with informative, extended captions to provide context’

Motorsport

The acclaimed In Camera series turns its attention to sports-car racing in the 1980s, a cornucopia of power and speed

Sports-car racing was in decline by the end of the 1970s and the first two years of the 1980s were largely the domain of private teams and individuals with one exception: Lancia had a good 1980 but over time they were inconsistent and abandoned ship in 1986, never to return.

Porsche allowed a favoured Reinhold Joest to run a 936 prototype at Le Mans 1980, built with factory components but insisted that it be called a 908/80 to protect their reputation if the car failed. It finished second and would have won but for assorted problems. Nevertheless, Porsche decided to use a 936 one last time and won at Le Mans in 1981.

The arrival of Weissach’s überfast and technically superior 956 in 1982 changed everything. It gave circa 600bhp and later much more from its turbocharged engines, which began with a 2,650cc unit but was followed by 2.8- and later 3.2- and 3-litre versions of varying specifications. They had no serious rivals until 1986 and won at Le Mans in 1981, ’82, ’83, ’84, ’85, ’86 and ’87 although Weissach had begun to limit their racing programme in 1986.

The TWR Jaguars, which appeared at Mosport in August 1985 finishing third, won their first race at Silverstone in 1986, but it took Tom Walkinshaw three years to win at Le Mans. They were Team and Drivers’ Champions in 1987 and 1988, but 1989 saw the already race-winning Sauber Mercedes C9s take control.

Peter Sauber had used Seger & Hoffman Aerospace for his SHS Group-6 cars’ bodies but left them in 1983, and in 1986 with Mercedes-Benz engines and Kouros backing he began to make progress. Nevertheless, for some time it was a one-car team with limited race appearances until Mercedes took over fully in 1988.

Of the rest a potpourri of private teams and individuals tried their luck with just a few winning occasionally. These included the customer Porsche teams, including Joest, Brun, Kremer et al., whose presence outlasted the works cars although in some instances they were the beneficiary of factory 962s, usually Joest.

Back in what became the C2 class, the main protagonists were Alba Giannini, Spice Engineering, Ecurie Ecosse and Chamberlain Engineering, although this category was prematurely shot through the heart in 1989 by the new 750kg 3.5-litre naturally aspirated C1 class created by FISA.

Thus sports-car racing in the 1980s, a slow start that evolved into a cornucopia of extreme power, speed and famous names while historic circuits such as Sebring, Monza, Silverstone, the Nürburgring, Le Mans and Spa were joined by a variety of lesser-known venues, some long departed.

This unique decade is captured here in more than 400 photographs (nearly all colour), making this the most extensive and ambitious In Camera volume so far. As usual, Paul Parker provides his detailed commentary, which will fascinate all motor-racing enthusiasts.

 

 

About the author

Paul Parker is the author of Formula 1 in Camera, 1950–59, Formula 1 in Camera, 1960–69 (Volumes One and Two) and Formula 1 in Camera, 1970–79 (Volumes One and Two), along with sister titles covering sports car racing in the 1950s, ’60s and ’70s. Additionally he has written Sixties Motor Racing with Michael Cooper, Jaguar at Le Mans 1950–95, Races, Faces, Places and Klemantaski: Master Motorsports Photographer. He is a freelance writer and a superb photo researcher, with work published in Octane, Motor Sport, Classic Cars, Forza!, Jaguar World Monthly and The Daily Telegraph. He also track tests historic cars and has raced a Lister Jaguar.

Additional information

Weight 1.58 kg
Dimensions 28.8 × 24.0 × 2.2 cm
Publication date

September 2018

ISBN

978-0-9928769-7-5

Binding

Hardback with jacket

Format

280x230mm

Extent

288 pages

Illustrations

410 b/w & colour